Besides the usual suspects–drugs, alcohol, food, and sex–one can be addicted to work, sports, television, exercise, computer games, spiritual practice, negative attitudes, and the kinds of thrills that bring on adrenaline rushes. The only question is how much of our lives is consumed by it. Addict (Conspicuous Consumer, Glutton, Workaholic–see also Gambler)Įvery one of us is touched by the Addict archetype. This inner knowledge does not surface easily. You have to stretch your imagination and burrow into yourself to discover your life patterns, lessons, and gifts. Never evaluate your connection to an archetype only by obvious markers. In evaluating whether an archetype is part of your intimate group, pay special attention to whether you can perceive a pattern of influence throughout your history, rather than only isolated or recent incidents. To help you further, I’ve listed some examples of each archetype as embodied in popular film, fiction, drama, and the world’s religions and mythologies. Accordingly, I have tried to include both sets of attributes for each listing, along with cues to help you determine whether a given archetype may be part of your lifelong support team of twelve. Remember that all archetypes are essentially neutral and manifest in both light and shadow attributes. If you feel that you have an archetype that isn’t found here, please do not hesitate to give it careful consideration, and feel free to include it in your support team. Naturally, it’s impossible to list all the hundreds of archetypes that exist, but these are some of the most common, and include just about all that are mentioned in my book, CD, or tape of Sacred Contracts. Please read through the entire list, looking at all the archetypes in parentheses, before assuming that the one you’re looking for isn’t here. Many additional archetypes that are closely related are mentioned in parentheses, such as Hermit (found under Mystic), Therapist (under Healer), or Pirate (under Rebel). It’s an appropriate finale for a song about the moments in people’s lives that defy clear articulation, when your only choice is surrender to a swirling maelstrom of emotion.The archetypes listed here in boldface type are just a few of the many ancient patterns that exist in human consciousness. As Rankin soars into a final high note, it might feel like you’re leaving with a whiff of hope-but the solo that takes you home is messy, discordant, a little confused. Guitars smother like wet wool and shrieking seagulls fly over the coast there's an overwhelming heightening of stakes, like your heart is being squeezed by a trash compactor. The song’s bittersweet, sighing melody, one that could easily be repurposed within an antique music box, is magnified by production that weaponizes shoegaze signifiers in service of the narrative. She only needs one line to render vivid scenes: a warm vodka cooler chugged behind a hockey rink, a tense phone call with a would-be father, a forlorn move to the countryside soundtracked by Belinda Carlisle’s “Heaven Is a Place on Earth.” Like a heroine in one of Munro’s timeless stories, the narrator’s life is altered forever by a single choice of impossible magnitude. –Sam SodomskyĪlvvays frontwoman Molly Rankin recently cited the Canadian short story master Alice Munro as an influence, noting the way the writer’s work can “knock the wind out of you.” Rankin and her band offer their own bracing wallop with “Belinda Says,” a heartbreaking sketch of an unexpected pregnancy that’s also a modern power-pop classic. A crown jewel of one of indie rock’s most ambitious songbooks, “June” found its home in a world that seems as absurd, doomed, and oddly romantic as Bejar has always seen it. If we’re to take him at his word, this really is what life is like-alternately gliding in ecstasy and waging war on each passing thought, all while still making time for the everyday absurdity that falls in between. The onslaught of non sequiturs is chopped and layered against wafting disco, like the soundtrack to a mirrorball head-trip sequence in the Hollywood adaptation of his life. The Canadian songwriter’s spoken-word vocals are processed to sound like a montage of various Dan Bejars complimenting and contradicting one another, musing on art and existence or cracking an “I barely know her!” joke while pondering the meaning of love. “Speaking of lifelike, this is what life’s like,” Dan Bejar declares midway through “June,” a gloriously surreal destination following three decades of journeying into the heart of his subconscious.
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